Alumni Digest.

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Who keeps a digital life alive?

Victoria Halper's virtual-reality production asks audiences to decide which traces of other people's lives should survive in a digital world. Published in Alumni Digest as verified reporting from the University of Toronto.

Victoria Halper's virtual-reality production asks audiences to decide which traces of other people's lives should survive in a digital world.

In the September issue
People using VR in headsets
Audiences experience [EOL]. End of Life at the 2025 Berliner Festspiele in the Gropius Bau. Photo: Fabian Schellhorn – Berliner Festspiele. Source image retained for editorial review; rights clearance is still required before any broader reuse.

The context

Where the work begins

In [EOL]. End of Life, audience members wear virtual-reality headsets and decide which digital traces to preserve for a fictional corporation. Victoria Halper, a U of T Mississauga theatre graduate, created and directs the production through DARUM, her experimental theatre company in Vienna.

The takeaway

What follows

The idea began after Halper and collaborator Kai Krösche attended state-funded funerals in Austria and searched online for traces of the people buried. Abandoned accounts and scattered reviews raised questions about remembrance. Pandemic restrictions then accelerated the company's experiments with digital performance. Halper drew on her drama training to build the story, and the production won the 2025 Nestroy Special Prize.

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